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Alex Casey wears a helmet and high to poken the largest and most controversial new ōtautahi building.
I know I’m not the only one who feels absurdly moved by the show of a New Zealand stadium in Te Kaha. Drive anywhere in the Christchurch CBD and you will see your white skeleton lurking around every corner. Climb the ports of Port and he is in the flat landscape like a giant roopome. Walk directly under him and get humiliated by scale, optimism, strength and resilience, and all other words of Sappy Chavão that I’m sure that the local inhabitants are already tired of listening now.
Replacing Lancaster Park damaged by the earthquake, the $ 683 million stadium is under construction in the christchury center in the last three years. With a fully covered roof, 32 food and beverage suppliers and a maximum capacity of 37,300, the stadium is a monumental part of the city’s revitalization. Nor is it without controversy, with a budget increase of US $ 150 million and a litany of residents who reject CBD’s “ridiculous” location at all social media posts.
Yesterday, the media was invited inside the stadium to mark a year of opening day. Wearing high vises and hats (“without high heels”, we were informed in our security briefing), we were taken to eating crooked and 500 ml of V cans, through the rainbows and a construction site that would make Peter Wolfkamp proud. It was a time of crispness in the NZ block, and there were Gib batteries and giant K’Nex pieces as far as the eyes could see.
We went a ladder bid and stayed in the contest area, where construction director Brian Hayes gave us an update on a Metal Serrar Cacophony, trucks whistling in striking and close sirens. Roof construction is defined to be completed in the coming weeks, as well as the coating throughout the building to make the entire tight structure. Currently, the territory is being cultivated outside the place near the airport and the landscaping will also begin in the coming weeks.
It seems like a work with headquarters, soon recognized by Mayor Phil Mauger, who pretended to order a glass of Pinot from a nearby empty bar. Speaking of drinks, one of the unique features of the stadium is that the contest provides unobstructed line lines to the playing field, even Phil Mauger’s Pinot support. “It’s a real feature, because in many places you will be holding the bathroom, but you don’t want to lose action,” says project director Kent Summerfield later.
We moved to another place to see the players’ tunnel and the 23 corporate boxes. Looking at the huge dirt floor, Mauger will not be designed in his dream musical act. “Whatever it may be or anyone, it will be good for the city, because we had nothing for 13 years.” The sport will be “in the mixture”, but there is a lot of space for everyone. “I heard about electronic sports that bring 20,000 people for a week-this is as good for the city as Rugby.”
Although he does not go into specific artists, Mauger says the shows will do a large part of the stadium’s function, also helped by the covered ceiling and a giant curtain that can be attracted by the 22 -meter line to a more intimate configuration. “In the north, Adele sang in the annoying rain,” he says, spying on the clear plastic ceiling almost finished. “We won’t have this problem here.”
A New Zealand stadium can host up to 15 shows “at a higher level” every year, Summerfield soon tells me. “Of these, six may be in the highest thresholds metal, their NDCs-e nine on a medium-high limit. Below that, we can have as many events as we like.” There will be 25,000 permanent seats with 5000 extras that can be added and standing space in the field, bringing the maximum stadium capacity to 37,300 people.
But since it will cost $ 144 for the first two years, decreasing in about three decades, can local inhabitants expect a toast ticket soon? “It depends on ōtautahi locations, and I’m sure they will be thinking about how to make Christchurch people as happy as possible,” says Mauger. “First of all, we have to see if it generates money. If that breaks, I’m happy. If it generates money, I’m more than happy.”
There is also the issue of transportation. Given the CBD stop grid layout and the complicated unidirectional hand system, it is difficult not to shake visions of 30,000 Furious Cantabrians honking from Morhouse Ave to Ashburton. “As at Sail GP, I just want a free bus after another coming in and leaving people everywhere,” says Mauger. “People can also walk the terrace and take the tram, so it will make the entire electric city.”
And where will drivers park? “I have no idea,” says Mauger. “There are parking lots on the way, but what we really want is that the free bus contingent that come, say, Hornby or the palms.” Mauger recently participated in Formula 1 in Melbourne and says he was making notes. “Dude, they know how to move people – we need to follow what they are doing and learn from them.” He did not mention the comprehensive network of trams and trains from Melbourne.
The mayor was soon taken to his next engagement and the media was walking, filming B-Roll and taking questions of the last minute. I was as close as possible to the stands and observed as a slowly spinned white steel beam of a crane in the middle of the stadium. Through a gap in the north support, the cardboard cathedral was high. I blinked back a tip of tears and promised not to look good about strength and resilience etc.
Fortunately, the moving moment was immediately interrupted by the giant arm of the lemon green forklift, which seemed to be going straight to us. “I have to discharge exactly where you are standing,” shouted a confused tradition from the floor.
With this, we left the gift store / passing through the huge booth of empty goods. Stopping at the maintenance entrance to look at the giant roof once again, a nearby piece of tape told an attractive story of a sentence: “This door frame was run over at level 1.” Strength! Resilience! Don’t be sappy! I handed it to my hardhat and up and went to my car, going through a prophetic mural that took the bites again: “Something beautiful is about to happen.”
This time, next year, I think we’ll be sure.
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