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Tinā broke records for the broadest release of New Zealand’s film and is currently at the top of the local box office.
Photo: New Zealand Cinema Commission
Tinā is a movie that will make you laugh and cry, but if you are Samoan as your star, you can also make you despair just a little
New Zealand has another funny/sad success movie in its hands, almost 10 years after the last big one, Hunt for the Wilderpeople.
Tinā It has film audiences in flooding of tears and also makes them laugh.
It’s going to $ 4 million at the box office, which is huge for a home effort.
You can still see it in the cinema, and you should – the freelance critic and the Kate Rodger podcaster says that the shared experience is an emotional punch.
“It has tragedy and trauma, but also getting up and dusting, but knowing that you need other people to help you do it,” she says.
It is not a spoiler to say that it is about a Samoan teacher who loses her daughter in the second Christchurch earthquake. She ends up teaching at an elite school and begins a coral.
It has flaws, with gaps in the narrative that were left on the floor of the cutting room for reasons of time.
Rodger says in repeated watches that they disappear.
But it’s a filling for Kiwi’s film industry after a postcovid drought, and possibly a sign that we’re back on track after one of the most flattened years of content we’ve ever seen.
“No one hoped it was so a barn storm,” says Rodger. “It’s now tracking like this year’s number one movie of any release.”
Part of the reason for this is the exceptional soundtrack.
“When you have a rooted story in coral music and a school, it will have this kind of appeal,” she says.
“He pleases each age group.
“And the word of the mouth in this movie – as I think I was not stopped on the street for a long time … [people saying] ‘Oh, I just saw Tinā‘Or’ I hear Tinā It’s great and I need to go and see ‘. And it is marketed in this way. “
Spinoff publisher Madeleine Chapman, who is Samoan, wrote a review of Tinā in which she argued with herself about her merits.
“I had really great hopes – I only have great hopes for any local movie or TV show, because I just hope this is successful in all expectation, but I think, particularly, being led by Samoan and a Samoan story that I kind of thought this could be the movie that brings the Pacific stories to the mainstream.
“I think when I left it, I realized I was in a very difficult position, because I really wanted people to watch the movie for so many reasons, but I didn’t like it as much as I thought.”
Chapman says that wanting people to see a movie would usually mean writing a very positive criticism. But she adjusted her expectations after watching the trailer and realizing that she was still a majority European cast.
“I didn’t expect it to be so premise about students that they are not all Samóans … Students’ experience as opposed to Tinā’s experience. So I went, this could be a movie where it is a Pacific story, but it is for the public of Palagi.
“I can totally understand where the filmmakers came from … and it’s amazing it’s fine.
“But even doing very well, it will probably be the only peaceful movie of the Pacific funded for a while, so you kind of go, if there is only one, from time to time, you need to be trying to go to the widest possible audience or you can get into the community stories a little more? What I don’t know.
“Ultimately, it’s still a huge success, so you can’t blame it on this front.”
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