Sam Fox School presents 96th Annual Fashion Design Show April 26 – The Source

Fashion, in popular imagination, is a world of trends. What is there? What’s happening? Who is hot right now?

But for emerging designers, the real search is authenticity, said Mary Ruppert-Stroescu, associate professor and fashion design director at the Sam Fox School of Design & Visual Arts of the University of Washington in St. Louis.

“The designers have always tried to create a distinctive aesthetic,” Ruppert-Stroescu said. “But fashion is becoming more and more personal. Today, young designers are coming even more deep, taking advantage of their identities, their inheritances, their cultures, their spirituality. It is about personal expression and the individual level connection.”

On April 26, the Sam Fox School will present “Voilà”, its 96th annual fashion design show, in the historic Holmes Lounge in Washu. One of the oldest events in the nation, the night will feature dozens of models that use dozens of outfits, with a particular approach in the collections of layers of layers by graduating from fashion design specialties.

“Fashion is about creating desire,” said Ruppert-Stroescu. “But to want something, you must be able to relate to him in a significant way. It is an instinct and the surprise that happens when the form follows the sensation.”

On the track

The voilà opening scene “,” Emerges “, reveals the introduction of the first original design student in Washu.” These denim jackets were made with materials obtained from the textiles of the St. Louis Carr manufacturer, “Ruppert-Stroescu said” and reveal “the new voice of each designer in fashion.”

In the next scene, “Strata”, the fabric becomes narrative with original digital prints on the theme “Culture: My social group”, built in shirts and shorts. In “Imprévu”, designers reveal a series of avant -garde looks created as part of an experimental design class taught by Professor Laura Desch.

The program will continue with attire created for the class “Textile technology for health and well -being”, which adapts clothes to the needs of customers with specific health conditions. “Each student interviewed five people, analyzed data, developed design criteria, performed prototypes and then worked with an individual adjustment model,” Ruppert-Stroescu said. “It is a true fashion, function and user -centered design meeting.”

The scenes titled “Muse”, “Equinox” and “Crescendo” mark a change to the senior bfa capstone collections. Based on months of research, each designer uses a distinctive visual vocabulary and reflects a rigorous process of research, development, ideation and creation of prototypes. Professor Jennifer Ingram scaffold designers through the process of turning their sketches into 3D objects.

Through his “Venus in Chrome” collection, Indigo Amunategui argues that beauty standards not only happen, but, in fact, they are a design product, as intentional as cars or buildings. “Has the standard ever been achieved? Not really,” Amunategui wrote in his designer’s statement. “Venus in Chrome”, with its mechanical forms and its brilliant finishes, “provides a semi-syrup solution to the artificial beauty standard that we love to hate.”

Balancing the improved pastel colors, fluid shapes and floral allusions, Emily Carlin’s spring collection “Reverie” is warm, bright and blatantly cheerful. “‘Reverie’ calls beauty and romanticism, inspired by my personal interest in nature, historical art and femininity,” Carlin explained. “This collection captures positive emotions, attainable perfections and moments of human connection.”

The “Daymoon” of Brooke Cowan adapts to “the eccentric soul, which satisfies a search for beautiful unique objects that allow customers to reconnect with their clothes and origins.” In an era of mass production, “Daymon”, with its high quality materials, pure lines, personalized metal hardware and handmade leather accents, shows “crafts behind the garments, focusing on causing joy through the material and the process.”

“Open Heart”, by Maggie Maichel, aims to pierce masks that often hide our authentic beings, “transmitting the message that true force often arises from vulnerability.” Adopt sustainability through fibers and natural materials, these garments are “designed for longevity, ensuring that it becomes a timeless basic element in any wardrobe.”

Fusing Vietnamese and Western elements, the “intertwined” of Vivian Nguyen is inspired by the red chain of destiny, a popular belief of Oriental Asia that symbolizes the power of relations. “When I was younger, my mother often used traditional Vietnamese garments (AO DAI) adorned with meticulous embroidery,” Nguyen recalled. With its amazing brocades and rope manipulations, “intertwined” serves as a “symbolic representation of the connection.”

Julia Yuan’s dramatic “Infinity” collection combines rounded shapes, tight belts and flared skirts with traditional Chinese elements, including water sleeves, mandarin necklaces and intricate embroidery. The objective, said Yuan, is to “explore the origin of our souls, our past lives and future lives, and the stages we must pass during their life.”

The fashion design show is coordinated by Ruppert-Stroescu and produced by its kind of “fashion promotion and exposure”. All the clothes presented was sewn in Baby Blocking Machines, manufactured by Tacony Corp., based in St. Louis, also a generous sponsor of the show.

Mother Model Management Show Models. Additional sponsors include Saint Louis’s fashion fund, Dominic Michael Salon, The Hurley Co. Salon and Lux ​​& Nix.

The night will also feature several departmental awards, which include:

• The Dominic Michael Silver Scissors Designer of the Year award. Sponsored by Dominic Michael Salon for more than two decades, the prize is given to the senior fashion design student who has shown convincing creativity and exceptional ability in the conception and execution of fashion design.
• The most commercializable collectionwhich recognizes a senior fashion design student whose collection is considered more commercialized. After the show, the work of the six senior collections in Neiman Marcus Frontenac will be exhibited.
• The Star Design Group Awardwhich grants a tutoring and study space in the Couture Incubator to a student whose collection demonstrates high commercial potential.
• The Ripper Silver Ripper Ripper Ripper Award from Susan SandersSponsored by student Susan Sanders Block, the second -year student or Junior fashion design student who has demonstrated the greatest growth is presented.
• The Sustainable Design Leadership Award for Riverbend Textileswhich recognizes exceptional thinking and practice towards sustainable fashion design.
• The Excellence Award on the textile surface in abundance For textile design that demonstrates excellence in crafts, aesthetics and creativity. All students are eligible.
• The fashion citizenship awardSponsored by Ruppert-Stroescu and presented to an outstanding second-year fashion design specialization that demonstrates good citizenship and community commitment.

Tickets

The 96th Annual Fashion Design show at the University of Washington will begin at 7 pm on Saturday, April 26 at Washh’s Holmes Lounge, located at Ridgley Hall. The doors will open at 6:30 pm, an encounter with the designers will immediately follow the show, in Holmes Lounge.

General admission tickets are reserved. To enroll in the live fashion parade, visit SamfoxSchool.washu.edu.