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This simple premise is in the heart of Samuel Beckett’s novel EnterpriseAn exploration of memories caused by stillness and silence, brought to life as an intensely absorbent monologue by Dunedin’s award -winning actor Simon O’Connor.
O’Connor performed for the first time Enterprise During last year’s Fringe Festival, gaining an excellent performance award for the 13th Dunedin Theater Awards.
He will present a brief return season next week during the Dunedin Arts Festival.
O’Connor said that revisiting the play was a rediscovered process and an even deeper exploration for itself and director Richard Huber of the poetic and philosophical text.
“We have tested the work we did and making minor adjustments – he deepened our sense a lot,” said O’Connor.
For Huber, returning to the test process, which involves many hours of careful hearing, has been absorbent and pleasant.
“After about 10 minutes back, I was finding new things to try,” said Huber.
O’Connor said, how Enterprise It was a work of prose, with a nonlinear history and language that were “complex in its simplicity”, presenting it as a spoken word, required a great focus.
“Although not linear, there are reference points and returns regularly to your starting point-a man lying on his back in the dark and listening to a voice.
“He returns to his memories, looking at different facets of his life and reflecting on their meaning.”
In the end, the final conclusion – “alone” – is open to interpretation, believes O’Connor.
“My interpretation is that what really understands is ‘everything’, but it is up to the audience to decide.”
The staging of Enterprise On April 2 and 3, in Allen Hall, it involves the genius of the lighting design of Martyn Roberts, which allows the team to create a “duplication” of the experience – the audience joins the man in the dark, listening to a voice.
Kerian Varaine’s subtle sound design helps to ensure that public ears do most of the work.
“It becomes a true communion for the public and the artist around a certain experience,” said Huber.
In the hands of Beckett, who was known for his minimalist approach, Enterprise It wasn’t just tragic, but playful and malicious, he said.
“It’s such a fascinating piece – provokes and tricks and removes all the illusion.”
• Produced by Affurner and directed by Richard Huber, with lighting design by Martyn Roberts and Kerian Varaine sound design, Samuel Beckett’s Enterprise It will be staged on April 2 and 3, from 19h, in Allen Hall.
Brenda.harwood@thestar.co.nz
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