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EWan McGregor tells us about his napkin trick: an ominous way to block annoying theater goers at a moment. “I watched a friend of mine on stage in New York and the lady next to me wouldn’t stop turning her hair. I couldn’t F *** ing concentrate! In the interval I got two napkins, put holes in them and fed them through the arms of my glasses, so I had napkins on either side of my face. “McGregor (54) places one hand on either side of his face to demonstrate, such as a grin with blinkers on.” The second half was perfect – couldn’t see her at all. They really have to sell it in theaters. “
On this, his fellow stars are in line. Elizabeth Debicki, who played Princess Diana in the last two series The crownand the Olivier-nominated Kate Fleetwood undoubtedly imagines him, as I do, the Train spotting Star at a Broadway show with tissues on his face. “That woman must have thought you are hiding,” Debicki laughs. “Ewan McGregor thinks he’s so famous that he has to do the napkin trick.” Fleetwood Hoots of Laughter.
Such kind -hearted ribbing and easy warmth believe the fact that this trio met for the first time in the rehearsal room for the first time for their new play, My master builder. “Now we’re about each other all the time,” said the 52-year-old Fleetwood, playing playfully to her rollers. ‘You get intimate so quickly because you have to be vulnerable around each other and always fail before each other. This is probably why people call us Luvvies because it happens so quickly. ”
This is the fourth week of rehearsals, with two more to go, and nerves are great. One after another, Fleetwood, Debicki and McGregor brought into the locker room behind the stage in various exhaustions, all dressed in the acto uniform of the actor: non-script pants, accompanied by a non-description shirt, and in the case of McGregor, a non-script and thick, litter.
“God, it was …” He sat and sat down. “Intense!” Fleetwood ends. Debicki – The Australian actor who has gained fame with the UK The night manager – It seems that the last scenes are still shaking, while removing the first few minutes of conversations. It is a tight space and they sit together in a row, practically cheek to the cheek. Debicki’s long arms (she is 6ft 3in) drape across the back of McGregor’s chair and rest in Fleetwood’s lap, which forms a connecting tissue between all.
Every night of ‘guys and dolls’ I would see a red light in the crowd and then another red light [filming me]
Ewan McGregor
This is McGregor’s first time on a London stage in 17 years. His last play was more than a decade ago in New York in the American Airlines Theater. (“It’s just not a good name for a theater? Is it? May be just as easyjet theater.”) There is no real reason for his absence outside of life. “The idea was to always do a play every five years. The first one I did was six or seven years after leaving drama school, and I thought I would never be so late again, but then I blow it. ”
It’s been almost a decade since Debicki, 34, also performed on stage. “I did that The crown For a while – and it took a great deal – but if I was honest, there were a few plays that would come every now and then, but screens took precedence, which I think could happen, of course. “
Fleetwood, meanwhile, is a match in the West End – along with her cheekbones, so sharp and high that you can hang from them. It is perhaps for this reason that she looks less tired than her fellow stars, and with a spirit of rusks and grapes. After all, she has nearly 300 performances of Macbethfor which her cruel, brilliant actions earned her a Tony nod. It is sufficient to say, Fleetwood knows a thing or two about dysfunctional increased marriages, which we bring to us My master builderThe play is all of us here to discuss.
However, on this note there is a lot that needs to be withheld. In fact, all I have to go on is that they are a modern update of Henrik Ibsen’s drama of 1892 The master builderabout an outdated architect whose mischief really an update, “McGregor distinguishes and leaves me nothing to go on. I scurry and they laugh. There’s shades From Ibsen’s play they assure me.
Written by Lila Raeakk and directed by Michael Grandage, My master builder is located in the contemporary Hamptons where Henry (McGregor), an architect, unveiled his latest masterpiece with his wife Elena (Fleetwood) on a great Fourth July bash, which was crashed by Mathilde (Debicki), a former Fling and student of Henry. It is a philosophical spelling of sexual politics today.
“It ends up in the muddy area in the middle of it all,” says McGregor. “Your memories can be different from my memories … I think everyone is going to feel different about it.” Fleetwood adds: “This is the gray area that is so interesting and so politically on the money at the moment.” On his timeliness, Debicki quotes a rule from the screenplay: “The landscape has changed.”
In accordance with the Times, Fleetwood’s Elena functions more prominently and is a power station in its own right – a publishing magnate that is not without her own sexual agency. “I’m not just sitting on a rocking chair with my doll,” says Fleetwood, referring to the original matriarch of Ibsen. “And there is more of the relationship between myself and Elizabeth’s character: What is the dynamic between a woman and the woman who had a relationship with her husband?”
The fact that it is a new play is exciting for everyone. “There is nothing more exciting than doing something for the first time-to be the first person to play a role,” McGregor says, turning to his co-stars with the excitement of the schoolboy, blue eyes glittering. ‘Each copy of this play to ever be published will have we Names in it! ”
As a play, it is about as stars as it becomes, and keeps the present, although controversial, tendency to shed A-listeners. This year alone, Cate Blanchett, Brie Larson, Rami Malek, Jonathan Bailey, Tom Hiddleston and Hayley Atwell lit the West End with their star power. And it’s just April. With the mention of this, the three actors unanimously pulled up and out of his collar like a three-headed-list.
“It bothers me the idea …” McGregor begins. ‘We are all actors, and there is this slight snobbery if you are famous to make movies and then do a play. We all did theater. We all get out of the theater. It’s not like stepping out of something to do something else for commercial reasons. That’s what we do. We do actors, and if we are happy, we must work in the theater, and we always work in television; That’s what actors do. “
“It’s not as if you’ve done a thriving reality -TV program, or you are a chef from the count,” reasons Fleetwood. McGregor, who started working at the Perth Repertory Theater at 16 and has been working with Grandage twice in the middle of the 2000s. “It’s right or, you know, some …” He catches himself and smiles at me. “Well, we probably shouldn’t mention titles if that sounds a little bitchy. But no, that’s not. I hope this is not. ‘
There is also the business of everything, adds Debicki. “I don’t know if it’s the right or wrong thing to say, but Ewan coming on the project, let’s do this new play, let the whole cast this play do. It makes the thing exist. Instead of looking in any negative kind of light, I just think, it’s fantastic, because then more new work is sitting up. More theater happens. More people get to work. ‘
For some fans, McGregor’s image is as a sweat heroine older slaughter in Train spotting or a Jedi -Master in Star Wars or an English poet with Nicole Kidman in Moulin Rouge! can be indelible. A-list stars have luggage-it is the price of iconic performances. “I don’t think about myself like that, and that’s not how I see the world,” McGregor finally says. “I was asked the same question for every play I did. It’s not a new thing. There are always actors on stage and some people do not know the person and some people. It’s just as it goes. ‘
However, McGregor acknowledges that there is a certain air at the beginning of any play he has these days. “You feel it for the first few minutes of the audience. They are like, ‘Well, come! “But then you pull them into the play and then it’s gone. ”
With the details of the play, the conversation deviated from napkin tricks and nightmare audiences. Like the time that McGregor’s performance of Gravity was interrupted by someone who was hacked very hard on Nachos. Or when Fleetwood Francis Ford Coppola’s Opus went to visit Megalopolis Last year in the theater and had to face it with a couple busy in the seats behind her. (“Well, that’s fine! That’s what the theater is for,” laughs McGregor.)
All three agree that telephones are the plague of the theater world. “The thing I’m most paranoid about is to keep my phone on,” Debicki says. “I turn it off and then turn it on to make sure I turned it off.” And don’t start them with people filming mid-performance … “Every night of Guys and dollsI would see a red light in the crowd and then another red light, “says McGregor.” It drives my nuts! “Call Fleetwood out.
Suddenly, a voice over the speaker actors calls to the stage for the start of Act Two and I watch panic flooded the room. “No, that’s fine. It’s not for us! ‘ Fleetwood breathes out and grabs her fellow stars as they are uploaded in their own shared reaction. Marriage dysfunction has never looked so good.
‘My Master Builder’ runs from April 17 to July 12 in the Wyndham’s Theater. Tickets are available here
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