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One of the most anticipated shows of the year returns with a hint of brain splash, a dose of human heart and a focus on the toll of terrible decisions.
The first season of The Last of Us ended with Ellie (Bella Ramsay) asking Joel (Pedro Pascal) to swear that everything he told about the vacancy -Lumes is true. Driven by protectionist instincts, Joel Lie. He did not shot in a hospital or his ex -shot and stole Ellie to make the moral instinct corrected harm everything.
The second season opens with a repetition of this scene and then launches five years. Joel’s lie was the growing season that launched a scene after the decision -making scene with the moment, but with decisions. Survive in a post-zumbi apocalypse that the world generates moral ambiguity, haunting all who made terrible decisions to maintain themselves and others alive.
Five years later, Joel is carrying his lie heavily. Ellie is now 19 years old and constantly upset with him and his protection proposals. Both live in Jackson, Wyoming, where a border town of the uninfected has increased. The city was built to the Royal North of Vancouver.
Regular patrols maintain protected settlement from infected hordes beyond gates. Ellie and her friend Dina (Isabela Merced) participate and trigger ammunition bullets in the heads of the dead -vivos, removing them one by one.
The closed settlement refuge and the five -year jump offer viewers the promise of rest after our protagonists spent most of the first season on the run, but volatility and vulnerability are apparent at the beginning of the first episode. Infrastructure and housing are not being built quickly enough to accommodate newly arrived, and Dina and Ellie find one of the infected that apparently became smarter.
https://www.youtube.com/watch?v=_ZHPSMXCJB0
Whiskey and marijuana are available for free, suggesting the potentially explosive masking of true feelings, posttraumatic stress and tension. In a city celebration to play in the New Year (2029), a break of the false sense of security is foreshadowed when a man screams “dikes” in Ellie and Dina after they kiss on the dance floor.
We know that something like an American civilization has been rebuilt because the city has a therapist. Gail (Catherine O’Hara), Razor Sharp, but injured, is paid in marijuana and adds whiskey to his thistle and dirt tea. Joel is seeing her regularly, but after five sessions, Gail tells him his constant complaining about Ellie closed it bullshit and that they should try something different “like not pretending you have the most boring problem in the world.” Gail leads the accusation revealing that Joel killed her husband and that she hates him for it.
O’Hara is great in this role. She talks to real malice about Joel, but is not bitter, positioning her monologue about her hatred as an example of how to say something real out loud. When survival as a species is not guaranteed, O’Hara Gail seems reluctant to waste time on the subtleties of the old world. O’Hara’s long history of improvisation brings warmth and depth to his instructions on a role that can be unidimensional disarmed in someone else’s hands.
As always, Ramsay is the show’s steel core. She takes the age leap in her step, adding a justified petulance and knowing the frustration to Ellie. Roticizing her as the show’s “Messiah” is a bit banal, but Ramsay maintains a balance between insecurity and the innocence required of a 19-year-old character with the weight of her unknown destination. Against Joel, from Pascal, she seems to be the wisest, even if she is not in full possession of the facts.
Since last season ended, Pascal’s star has been brighter. He is a on -board actor on list A, a “father of the internet” and, thanks to his flirting with gender fluid fashion, brings easy quality to the sometimes boring conventions of being a male sex symbol. He returned to the role of a tired Joel enough, but a season of him acting purely in response to the mirror Ellie can also tire the viewers.
https://www.youtube.com/watch?v=drhwu3QCN_S
The last of us became the script about the innocent last year. Those who are not familiar with the video game who signed up to watch a dystopic zombie show were shocked when one of the best independent episodes in recent television history came to the screen in episode Três. The debate between the nerds is still furious about whether it’s an “bottle episode.” The episode, which lasted 16 years of a love story between Bill (Nick Offerman) and Frank (Murray Bartlett), won Offerman an Emmy for the excellent guest actor in a series of drama. It was emotional and exciting. It is the episode that the good time fans of the show still speak. It should not have surprised people as much as that, but firmly posted the prestigious television seal in a program that has undoubtedly suffered from snobbishness that comes from based on a video game. It was an initial sign that the show was never about the dead anyway.
Season two seems to maintain a narrower focus on the consequences of terrible decisions, moral ambiguity, and unimaginable weight compensations increase human existence. This, and some critics say that sentimentality has always been in the heart of this program. There are still zombies to shoot, and the risk is everywhere, but bubbling below that is the cost for living when survival is the name of the game.
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