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The Mark Baynes (left) and Josh Sorenson (right) tutors at the OMAC computer lab.
Photo: RNZ / LUKA FORMAN
An iconic New Zealand Music School, which trained many award -winning Kiwi artists, received a second life after being canned due to financial difficulties two years ago.
Ex -Mainz Functionaires have released a new school called ‘Let’s Go Music’ to help fill what they claim to be the gap in music education in New Zealand.
Mainz alumni include award-winning artists such as Joel Little, who produced some of the first works of Lord, Gin Wigmore and Troy Kingi.
Josh Sorenson used to work at Mainz – a music and audio institute that was part of the Southern Technology Institute before closing.
He was now co-director of the new operation and was thrilled to lift him and go.
“Oh, it’s amazing, as I said I was in Mainz 23 … And with that it is gone, there is a total gap. There was no place for young creatives to gather the way we do it.”
The industry has been crying out for something like Mainz since closed in 2023, Sorenson said.
“I recently returned to a tour and was working with a production team and they were like ‘MAN since Mainz was gone, we have no new people coming into whom we are confident that they know exactly what is needed.’
Hall presentation at Otara Music Arts Center.
Photo: RNZ / LUKA FORMAN
Co-director Mark Baynes hoped that the creation of the new venture independently, not as part of a polytechnic, as it was in the past, would give them necessary flexibility.
“We think it should have been like this from the beginning. The way technology is moving is insane and being able to change penny, which is what you can do as PTE (Private Training Establishment) is super important.”
The new school would start with a 16 -week certificate in musical creativity, but eventually they wanted to perform longer diploma and graduation courses.
Also on the cards were MasterClasses on -line, band guidance and programs to help primary school teachers teach music.
Artist and actor Troy Kingi studied in Mainz 22 years ago and said it was an important part of doing so who was as an artist.
Troy Kingi.
Photo: Mark Russell / Renegade Peach
“We like jazz school … but then you just have people who love music who don’t necessarily know how to read it, but they can feel … I feel that this is the place for them.”
“Most of our industry, our artists are built from this type of pool.”
He said it was amazing that Mainz could live in his new form.
The school’s focus on learning about different genres helped inspire his 10-10-10 series, in which he intended to produce ten albums in ten different genres over ten years.
“Having these four weeks or whatever, everything has been programmed for this style of music. So you are making your music story and it’s the Blues month – it’s all about blues. You’re in a band trying to write blues songs.”
“This had an important role in what I’m doing now.”
This focus on the genre was something that had been maintained as a central part of the new course – hoping to train the next generation of Kiwi artists.
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