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Claire Mabey and Alex Casey discuss the memories of Ali Bad, speechless to this, which is released today.
This review discusses sexual abuse and includes details of the entire book, including new information.
Claire Mabey: Alex, we both didn’t read words for this bad there – would I love to start asking your overall book impression as a reading experience?
Alex Casey: Claire, there are so many things in this world demanding that someone put a book as soon as a book is taken. I didn’t like this for this for a weekend, properly the nights with my sloping bedside lamp, not to wake my husband. You should probably not surprise, as your career is built with words, but evil reveals new depths for your writing talent here. It paints lively-green-green frog scenes attached to the windows on a horse farm, but then easily pull the bottom rug of you with the most shocking family revelation and Stark you can imagine. I went out loud several times.
CM: I couldn’t drop this book either. And that haunted me since I finished. To configure it a little for readers: the book begins with a prologue that indicates that this memories book will delve into family secrets, but you do not know from the beginning how these secrets will be devastating.
Bad begins with his childhood and passes chronologically from there, but there is a feeling that materializes in later chapters, such as a history of surfaces of abuse. This is where we need to tell readers – please be careful because an important component of the bad story is that she is a survivor of sexual abuse perpetrated by her father. The book shows how complex it is to navigate trauma when several parts of a person need to be at the work at once. For example, there is a scene in which evil describes that while his aged mother is sick and in the hospital, her father tries to extract forgiveness of her: the skilled writing shows how the daughter of maxi-self-self-smell, everyone is having to negotiate the situation at the same time.
The memories comply with the abuse plot using pages on a different source and with a gray background – almost like files – a structure that shows how deep the experience for bad and family and how difficult it is to weave in the history of your life in general.
But many people will come to this memories book because they know bad about TV. As someone who spoke to bad beforeAlex, did you find what you expected in the book in terms of your career as a journalist and a leading voice in the cases of abuse and the voices of survivors?
AC: Even before we reached the #MeToonz part of the book, I was really impressed by the frankness of bad around how to be a journalist can really be a hard job. This expectation of the old -fashioned nose and throat reporter (incorporated into his own father) is really harmful, and every time a journalist says, “This was a very difficult story and I cried a lot more later,” he raises a tremendous weight of all our shoulders and allows us to be a little more human. She talks about being in Christchurch immediately after the earthquakes and sobbing as she walks through the red zone sludge back to TVNz’s car: “I became a journalist and human being in those few days,” she writes. “Afterwards, a new set of beliefs about my craft and its potential for good formed.”
Knowing this story of hero origin, coming to #MeToonz also contained hills of crucial details of the process that I am so happy that they were drawn publicly. People do not see the hours of invisible pastoral care that enter the writing of these investigations, or the difamation letters that are tense and expensive from side to side and the defamation letters. They also definitely did not know the levels of vitriol and abuse that can be silently absorbed in the process. I had completely forgotten that Witch Hunting Cartoon Which was published after Mau announced the project and panic of certain male commentators that every man and his dog will suddenly be first page news for Wolf Whistling. I would like to say that we have moved on as a society, but I really shuddered when thinking about what the launch of such a project would look like in 2025.
Cm: I found a bad career of a worrying report of a woman in the media who had to resist an impressive amount of misogyny just to do her job. Bad describes her first jobs in Australia, who came with chauvinist chiefs demanding that she ask an athlete about BOB’s work and harassing women reporters about her clothing choices. And bad always returns to the journalist and his arrogance and bullying. Bad passed so much that it is really devastating that in 2025 we cannot be sure that the conditions are safer.
A moment of the media in the book that stood out for me was in 2010, when bad was invited to fill Paul Henry on TVNZ’s breakfast program. It was the first time two women (Pippa Wetzel was Henry’s co-president at the time) was in front of the show. Bad describes how she has just been subject to Edge’s Dom Harvey’s rap song about her (with Beyoncé’s single ladies’ music) and paparazzi photos that were published on Women’s Day. Mau decided to use the place for breakfast to ask when everything would stop. She describes how she talked for three minutes, what explains is a long time on TV and how she was “shaking with fear and joy.”
AC: I also really loved the part she also had her net moment for breakfast! She is angry like hell and will no longer accept! It was also just one of the many excellent examples of the book where bad, both in her personal and professional life, still somehow managed to be so controlled and graceful in a situation where she had every right to scream on the top of her lungs and throw some furniture. But also, at the risk of looking like the same slag of gossip columnist who hid in the shrubs and set up camp at her door, I have to admit that I also enjoyed reading about her and Simon Dallow, cut on a Contiki, and she certainly chase him, thinking of her message, a spot message.
CM: I am also displeased because I liked this part and the nostalgia that came with reading about travel at that time: Contiki must certainly have facilitated many and many relationships. In the book, bad describes his marriage to Dallow like this: “I think of my marriage to Simon as a super -one: elegant and bright, all polished stainless ham, every tidy rope. A casual observer, tying his boat shoes on the dock, can look and think, Now there is a beautiful vase! It must be a good time aboard this beauty! Even the water where the ship remains is calm, not a wave that bothers its shiny surface. But below the invisible water line, there is a violation, a very small hole to realize. ”
Bad does not come into great detail and Dallow’s separation, but it is extraordinary to read how his private and working lives were so intertwined and how they had to separate as publicly (they co-reported 1999-2003). The chorus that really took me, in terms of the bad career (which from outside could also be described as a brilliant yacht) is that it was fired five times from various media roles. It was worrying to read this volatility in 2025, when the media seems more fragile than ever. And in the light of it, really impressive to read how bad it has made and made a huge difference in what journalism was able to do in Aotearoa. I found myself applauding when she described the winning reporter of the year at Voyager Media Awards in 2021.
AC: I also respected how it gives credit where credit is due, but is not afraid to name people and organizations in the sector that disappointed it. In one example, bad talks about receiving a flood of interview requests after Rebel Wilson’s tour of Sydney Morning Herald, with many local journalists attracting parallels with women’s magazines launching -in the early days of his relationship with Karleen. She talks about the stress of having this chapter in your life, all again, and what it is like to be on the other side of media consultations when you do not receive follow -up or update, or any of these same precautions that it gave so many. Definitely, a cause of reflection and reminder, as in so many parts of this book, that just because someone is famous, makes them no less human.
CM: Perhaps we need to point out that the memories are not all dark, despite the challenging aspects of the bad life. There is a real energy throughout the book and many adventures of bad. The descriptions of falling in love with Karleen are beautiful, as well as their separation, and eventually gathering thanks to Covid (they formed a bubble and it allowed them to approach in a way that evil describes as an even deeper love than surprised).
One passage that I loved the most was as a young man, the bad horse bite is taken inside for an entire summer to walk horses with his cousins. She describes wild days of horseback riding, adventurous and freedom. It is truly magical to read: You have a notion of the young woman discovering an alternative way of life that is far from her father’s oppressive presence and the sadness of her mother (we learned very early in the book that the mother of bad wanted to return to England and leave the father, and we were told to return to the boat to her own mother).
AC: And without spoiling it (can you spoil a memories book?) There is a beautiful parallel to be found when bad end up finding its welcoming nest on the west coast, with a pony itself and the love of your life, after integrating many, many storms.
CM: This is a lovely place to make it bad. One last question for readers: Would you recommend this memories book?
AC: We are writing this on Monday morning and I don’t have the words now to summarize how exciting, revealing, generous and in layers this book is. So, I’ll just say the following: Yes.
No word for this bad there ($ 40, Harpercollins NZ) is available for Unity Books Purchase.
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