Protoje da Jamaica – Keeping a uniform

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The Jamaican artist of reggae protoje – who has agreed the phase of the bowl in Womad Aotearoa this year – speaks to Kadambari Raghukumar in this episode about harsh, politics and performances.

The flooded world with so many contradictory messages about Jamaica, but what makes intrigue pursue is this incessant flow of positivity, the same desire and the caliber of the music that the country presents.

One of Jamaica’s reggae icons, Protoje, performed at the bowl phase, at Womad Aotearoa this year and Kadambari Raghukumar, talking to him before the show. The conversation goes from talking about their parents, politics, hamburgers, of course, to the idea that most people can associate the Jamaican music Just Dancehall today.

“People here today they’re gonna see me a reggae music artist from Jamaica, Their Perception of What Jamaican Music is Going to Be Also That and Oter Stuff. I Think It’s Just Visibility. Active and Spreading That Energy Glory, It’s Action, You Know?

Protoje, along with other artists such as Kabaka Pyramid and Lila Iké, are part of a group of artists emerging from Jamaica, responsible for leading what has been a kind of root -focused rebirth focused on conscious music.

“I think we all have a message, and if we hear each other, I’m sure we can decipher the message we all have. I just feel lucky to have a platform and share the thoughts that come up in my head on lonely nights and people hear it.”

Born in Oje Ken Ollivierre and raised in St Elizabath, Jamaica, both from Protoje’s parents were reggae and Calypso singers – Lornna Bennett and Mike Ollivierre – but there is no sense of pressure when it comes to a legacy forward.

“I don’t look like this. It’s all a good cycle. I’m my parents living inside me, just make the music I make. I have the privilege of working with my mother. She is my manager. So she gets a second time to live with music and is excited.”

Protoje’s uniform attitude is difficult to ignore, not affected, and imprisonable by the high energies of a festival like Womad.

“Sometimes it’s life. Your emotions from above and down. For me, especially if I have a show. I’m cold, I’m easy. I save my energy to the stage because it’s real energy. You’re giving your energy to people. So I try to keep it balanced, as low as possible.”

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